Henry Fielding

Henry Fielding (April 22, 1707 – October 8, 1754) was an English novelist and dramatist known for his rich earthy humour and satirical prowess, and as the author of the novel Tom Jones.

Aside from his literary achievements, he has a significant place in the history of law-enforcement, having founded what some have called London's first police force, the Bow Street Runners


Biography
Born into an aristocratic family at Sharpham near Glastonbury in Somerset in 1707, Fielding was educated at Eton College, where he established a lifelong friendship with Pitt the Elder. His younger sister, Sarah, was also destined to be a successful writer.

After a romantic episode with a young woman that ended in his getting into trouble with the law, he went to London where his literary career began.

In 1728, he traveled to Leiden to study classics and law at the University. However, due to lack of money he was obliged to return to London and he began writing for the theatre, some of his work being savagely critical of the contemporary government under Sir Robert Walpole.

The Theatrical Licensing Act of 1737 is alleged to be a direct result of his activities. The particular play that triggered the Licensing Act was The Vision of the Golden Rump, but Fielding's satires had set the tone.

Once the Licensing Act passed, political satire on the stage was virtually impossible, and playwrights whose works were staged were viewed as suspect. Fielding therefore retired from the theatre and resumed his career in law and, in order to support his wife Charlotte Cradock and two children, he became a barrister.

His lack of money sense meant that he and his family often endured periods of poverty, but he was also helped by Ralph Allen, a wealthy benefactor who later formed the basis of Squire Allworthy in Tom Jones. After Fielding's death, Allen provided for the education and support of his children.

Fielding never stopped writing political satire and satires of current arts and letters. His Tragedy of Tragedies of Tom Thumb (for which Hogarth designed the frontispiece) was, for example, quite successful as a printed play.

He also contributed a number of works to journals of the day. He wrote for Tory periodicals, usually under the name of "Captain Hercules Vinegar".

As Justice of the Peace he issued a warrant for the arrest of Colley Cibber for "murder of the English language".

During the late 1730s and early 1740s Fielding continued to air his liberal and anti-Jacobite views in satirical articles and newspapers. Almost by accident, in anger at the success of Richardson's Pamela, Fielding took to writing novels in 1741 and his first major success was Shamela, an anonymous parody of Samuel Richardson's melodramatic novel. It is a satire that follows the model of the famous Tory satirists of the previous generation (Jonathan Swift and John Gay, in particular).

He followed this up with Joseph Andrews (1742), an original work supposedly dealing with Pamela's brother, Joseph. Although also begun as a parody, this work developed into an accomplished novel in its own right and is considered to mark Fielding's debut as a serious novelist.

In 1743, he published a novel in the Miscellanies volume III (which was the first volume of the Miscellanies). This was The History of the Life of the Late Mr Jonathan Wild the Great.

This novel is sometimes thought of as his first because he almost certainly began composing it before he wrote Shamela and Joseph Andrews. It is a satire of Walpole that draws a parallel between Walpole and Jonathan Wild, the infamous gang leader and highwayman.

He implicitly compares the Whig party in Parliament with a gang of thieves being run by Walpole, whose constant desire to be a "Great Man" (a common epithet for Walpole) should culminate only in the antithesis of greatness: being hanged.

His anonymously-published The Female Husband of 1746 is a fictionalized account of a notorious case in which a female transvestite was tried for duping another woman into marriage. Though a minor item in Fielding's total oeuvre, the subject is consistent with his ongoing preoccupation with fraud, sham, and masks.

His greatest work was Tom Jones (1749), a meticulously constructed picaresque novel telling the convoluted and hilarious tale of how a foundling came into a fortune.

Charlotte, on whom he later modeled the heroines of both Tom Jones and Amelia, died in 1744. Three years later Fielding - disregarding public opinion - married her former maid, Mary, who was pregnant.

Despite this, his consistent anti-Jacobism and support for the Church of England led to him being rewarded a year later with the position of London's Chief Magistrate, and his literary career went from strength to strength.

Joined by his younger half-brother John, he helped found what some have called London's first police force, the Bow Street Runners in 1749.

According to the historian G.M. Trevelyan, they were two of the best magistrates in eighteenth-century London, and did a great deal to enhance the cause of judicial reform and improve prison conditions.

His influential pamphlets and enquiries included a proposal for the abolition of public hangings. [1] This did not, however, imply opposition to capital punishment as such—as evident, for example, in his presiding in 1751 over the trial of the notorious criminal James Field, finding him guilty in a robbery and sentencing him to hang.

However, Fielding's ardent commitment to the cause of justice as a great humanitarian in the 1750s, coincided with a rapid deterioration in his health to such an extent that he went abroad to Portugal in 1754 in search of a cure. Gout, asthma and other afflictions meant that he had to use crutches.

He died in Lisbon two months later and his tomb at the English Church may be visited. Despite being now blind, John Fielding succeeded his older brother as Chief Magistrate and became known as the 'Blind Beak' of Bow Street for his ability to recognise criminals by their voice alone.


[edit] Literary Style
Whereas Defoe and Richardson both attempt to hide the fictional nature of their work under the guise of 'memoirs' and 'letters' respectively, Henry Fielding adopted a position which represented a new departure in terms of prose fiction—in no way do his novels constitute an effort to disguise literary devices. In fact, he was the first major novelist to openly admit that his prose fiction was pure artefact. Also, in comparison with his arch rival and contemporary, Richardson, Fielding presents his reader with a much wider range of characters taken from all social classes.

Fielding's lack of psychological realism (i.e. the feelings and emotions of his characters are rarely explored in any depth) can perhaps be put down to his overriding concern to reveal the universal order of things. It can be argued that his novel Tom Jones reflects its author's essentially neoclassical outlook—character is something the individual is blessed with at birth, a part of life's natural order or pattern. Characters within Fielding's novels also correspond largely to types; e.g. Squire Western is a typically boorish and uncultivated Tory squire, obsessed with fox hunting, drinking and acquiring more property.

So Fielding's comic epic contains a range of wonderful—but essentially static—characters whose motives and behaviour are largely predetermined. There is little emotional depth to his portrayal of them, and the complex realities of interactive human relationships that are so much a part of the modern novel are of negligible importance to him. Perhaps the character we come to know best is the figure of the omniscient narrator himself (i.e. Fielding) whose company some of his readers come to enjoy.[2]


[edit] References
^ Words, Words, Words, From the Beginnings to the 18th Century, La Spiga languages, 2003
^ Words, Words, Words, From the Beginnings to the 18th Century, La Spiga languages, 2003

[edit] Partial list of works
Love in Several Masques - play, 1728
Rape upon Rape - play, 1730. Adapted by Bernard Miles as Lock Up Your Daughters! in 1959, filmed in 1974
The Temple Beau - play, 1730
The Author's Farce - play, 1730
The Tragedy of Tragedies; or, The Life and Death of Tom Thumb - play, 1731
Grub-Street Opera - play, 1731
The Modern Husband - play, 1732
Pasquin - play, 1736
The Historical Register for the Year 1736 - play, 1737
An Apology for the Life of Mrs. Shamela Andrews - novel, 1741
The History of the Adventures of Joseph Andrews and his Friend, Mr. Abraham Abrams (Joseph Andrews) - novel, 1742
The Life and Death of Jonathan Wild, the Great - novel, 1743, ironic treatment of Jonathan Wild, the most notorious underworld figure of the time.
Miscellanies - collection of works, 1743, contained the poem Part of Juvenal's Sixth Satire, Modernized in Burlesque Verse
The Female Husband or the Surprising History of Mrs Mary alias Mr George Hamilton, who was convicted of having married a young woman of Wells and lived with her as her husband, taken from her own mouth since her confinement - pamphlet, fictionalized report, 1746
The History of Tom Jones, a Foundling - novel, 1749
A Journey from This World to the Next - 1749
Amelia - novel, 1751
The Covent Garden Journal - 1752
Journal of a Voyage to Lisbon - travel narrative, 1755
Tom Thumb N.D.